![]() ![]() However, their stills cousins, the FD series are a lot more affordable options if you want to create a look that is similar to the K-35s. Today the lenses are more sought after than ever and finding a complete set will cost you a pretty penny. ![]() But is sharper and provides more contrast than other vintage lenses. The K-35 lens is slightly softer and has less contrast compared to modern lenses. ![]() The optical design of the K-35 series is a perfect example of Canon’s optical expertise and fine lens design. These lenses were used in films such as “Aliens”(1986) and “American Hustle” (2013). The iconic Canon K-35 lenses were manufactured during the 1970s and ’80s. Someone on eBay is actually selling a Canon K35 18mm lens housing without any optics! To put that price in perspective a 6-lens set of ARRI Signature Primes costs $152,670 USD. Yes, that is a pretty extreme example, but even other sets are still very expensive. This works out to be 65,000 Euros per lens. I thought this must have been a typo when I first saw it, but it came in an email from FJS International this morning. The more in demand something this the more someone can charge for it. Yes, high demand and low numbers mean high prices. The prices for certain sets of lenses have gotten to the point where they are now worth many times more than they were when they were new, even when calculating in inflation. In all of the subjects we confidently claim expertise, this might be one of our best.ĥ.The price of vintage cine lenses continues to rise and shows no signs of slowing down. To celebrate his finally winning an Oscar, we’re looking at the 25 most beautiful shots of Roger Deakins’ career, according to us: the folks who have been peddling his still frames for years on One Perfect Shot. When it comes to cinematography, a mastery of light - the ability to bend it to your will - is something for which Deakins has few rivals. His style bold, but natural, often capturing the real world as it is struck with the perfect lighting. He’s also not afraid to toy with perspective or play in very low light situations. As you’ll see in the list below, he’s a master of shadows and silhouettes. Still, as prolific as he may be, Roger Deakins has been a reliable purveyor of cinematic beauty throughout his career. On the Oscar trail, he’s been getting nominated since 1995, when he earned his first for The Shawshank Redemption. For over 30 years, Deakins has been a mainstay in the world of cinematography. If we were to describe his career in one word, it might be prolific. He’s even served as a visual consultant on numerous popular animated projects such as Pixar’s Wall-E and DreamWorks’ How to Train Your Dragon. His long and illustrious career is littered with collaborations with filmmakers such as The Coen Brothers, Sam Mendes, and more recently, Denis Villeneuve. He primarily worked in short films through the late 70s and early 80s but found his first major break with Michael Radford’s adaptation of George Orwell’s 1984 in, well, 1984. The British cinematographer has been working in the film industry since his debut as the cinematographer of Ernest Abbeyquaye’s 1975 short film, Mothers Own. But it’s finally happened and we (those of us who care deeply about such things) can breathe a sigh of relief.įor those who aren’t familiar with the fervor over Deakins’ work, we’d like to take a moment to provide something of a primer. It was his 14th nomination and his first win, a crime unto itself in the world of film awards. In 2018, Roger Deakins finally brought home Oscar gold. ![]()
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